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Guerlain

L'Heure Bleue 2026

L’Heure Bleue 2026 is the eau de parfum Delphine Jelk composed for Guerlain, released on August 28, 2026 under the name of the 1912 classic, which has been renamed L’Heure Bleue 1912. An ozonic accord, pear, and neroli open onto a twofold iris, a tincture created by the house and iris butter, alongside jasmine, over a base of vanilla, ambroxan, and musks. Guerlain classifies it as a floral amber.

Launch year
2026
Gender
Women
Olfactory family
Floral
Secondary family
Oriental
Concentration
Eau de Parfum
EAN
3346470624528 (30 ml) · 3346470624504 (50 ml) · 3346470624535 (100 ml) · 3346470624498 (refill 200 ml)

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L'Heure Bleue 2026

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On August 28, 2026, Guerlain released an entirely new eau de parfum, signed by Delphine Jelk, the house’s director of perfume creation, under the name L’Heure Bleue. The composition by Jacques Guerlain that had carried that name since 1912 is now called L’Heure Bleue 1912.

A name taken over, a new formula

The two perfumes coexist in the catalog. Guerlain presents the new one as a contemporary reinterpretation that keeps the spirit of the original, iris and vanilla, while introducing an unprecedented material. It is neither a reformulation nor a flanker: the 1912 formula remains on sale under its vintage.

Delphine Jelk says she wanted to capture the blue hour with the same tenderness as Jacques Guerlain in 1912, for a perfume that is at once powerful, soft, and intimate. She adds that she sought to express a femininity made of tenderness and strength, authenticity and poetry.

The iris tincture

The centerpiece of the launch is an iris tincture developed for L’Heure Bleue 2026. Guerlain explains that it was obtained by macerating rhizomes selected in Italy in alcohol, after three years of research carried out with the teams at its Orphin manufacturing site.

The house describes a material that captures the flower in its entirety and gives iris a more vegetal, fresher, and woodier expression. It pairs it with iris butter, the concentrated form drawn from the same rhizomes, and recalls that iris is nicknamed the “blue gold” of perfumery.

The memory of the Pont-Neuf

The house’s story goes back to 1912: a light Jacques Guerlain glimpsed from the Pont-Neuf, at the moment the sky turns deep blue between day and night. The 2026 perfume aims to convey the scent of the sky at that tipping point.

A launch with a full line

The perfume is sold in 30, 50, and 100 ml, with a 200 ml refill and a scented soap. Guerlain accompanies it with three limited-edition Rouge G lipstick cases dressed in blue, and also offers it in the Flacon aux Abeilles, its bee bottle, on its website.

Samantha Holender, beauty editor at Marie Claire, sees it as Guerlain’s most important women’s launch in nearly a decade. It is also one of the house’s rare major releases signed by Delphine Jelk alone, notes Fun, a writer for La Parfumerie Podcast.

Olfactory pyramid

  1. Top notesThe first minutes
  2. Heart notesThe heart of the perfume
  3. Base notesWhat lingers

What critics say

A deeply divided reception: Samantha Holender of Marie Claire praises an airy, inventive iris, Elena Prokofeva smells a dawn rather than a dusk and finds the ambroxan too heavy-handed, and Fun of La Parfumerie Podcast condemns both the juice and the reuse of the name.

Read what critics say

On the blog

What the community says

LongevityAll day
Fleeting8 votesAll day
SillageGenerous
Intimate8 votesOverpowering

Season

Autumn60 %
6 votes
Spring30 %
3 votes
Summer10 %
1 vote

Occasion

Day75 %
6 votes
Evening25 %
2 votes

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The advertising

Abby Champion on the Pont-Neuf

A film by Camille Summers-Valli produced by Iconoclast: Abby Champion on the Pont-Neuf at the blue hour, set to a cover of Murray Head.

The launch campaign ran from late August 2026 on television, online, and in print. The film was directed by Camille Summers-Valli and produced by Iconoclast; the American model Abby Champion plays its lead role.

Shot on the Pont-Neuf, where Jacques Guerlain is said to have found the inspiration for L’Heure Bleue in 1912, it draws the young woman into an imaginary world on the border of dreams. Live-action footage alternates there with colorful illustrations by Laura Aquaviva.

The soundtrack covers Say It Ain’t So, Joe, a song by Murray Head, in a new interpretation. On its website, the house extends the film with a video in which iris and painting tell the story of that tipping point between day and night.