Rumeur
Lanvin launched Rumeur in the fall of 2006 under the name of a 1934 Rumeur, the work of André Fraysse. Francis Kurkdjian composed a version with no olfactory link to the old one: magnolia and aldehydes, white flowers around seringa, a base of patchouli, musks and ambroxan. The bottle, designed with Alber Elbaz, draws on an antique model found at a flea market.
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Lanvin launched Rumeur in the fall of 2006 with Inter Parfums, its license holder. According to Women’s Wear Daily, the house wanted to build up its standing as a fragrance name: customers tended to associate Arpège, from 1927, and Éclat d’Arpège, from 2002, with the Arpège name more than with Lanvin itself.
Francis Kurkdjian composed the fragrance. It takes up the name of a 1934 Rumeur signed by André Fraysse without owing it anything: Angela, on Now Smell This, writes that it borrows the name but not the inspiration, and Elena Vosnaki that it has no olfactory link to the old one.
A name revived from the 1930s
Elena Vosnaki recalls that André Fraysse, who joined Lanvin in the 1920s, created Arpège, Scandal and Rumeur. To her, the old Rumeur is a dark, fruity chypre set on a bed of moss, which now seems heady at a time when oakmoss has left perfume formulas.
She sees the reuse of the name as a convenience: the house needed a new fragrance, and a brand-new name is hard to secure. A Lanvin spokesperson, quoted by Women’s Wear Daily in August 2006, intended it for women aged thirty to eighty, not for the youngest.
Olfactory pyramid
- Top notesThe first minutes
- Heart notesThe heart of the perfume
- Base notesWhat lingers
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The advertising
Amanda Moore by Sølve Sundsbø
Photographed by Sølve Sundsbø, Amanda Moore wears a Lanvin couture dress and a punk hairstyle: a daring, rebellious and elegant woman.
The campaign was photographed by Sølve Sundsbø. Amanda Moore wears a Lanvin couture dress and a punk-inspired hairstyle, on single and double pages meant to show, according to the house as quoted by Women’s Wear Daily, a daring, rebellious and elegant woman.
Osmoz speaks of a kaleidoscopic, rebellious and singular vision. Elena Vosnaki notes a smoky-eyed model with a fashionable haircut, and a gap between this almost predatory image and the romantic prettiness of the fragrance.
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- Rose BarbareGuerlain
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