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Le Beau, an eau de toilette launched in 2019, is the Le Male offshoot that Jean Paul Gaultier pairs with La Belle in his Garden of Eden tale. Quentin Bisch and Sonia Constant built it on tonka bean and coconut wood, brightened by bergamot. The bottle takes up the line’s muscular torso, dressed only in a golden vine leaf.

Launch year
2019
Gender
Men
Olfactory family
Woody
Secondary family
Aromatic
Concentration
Eau de Toilette
EAN
8435415017190 (75 ml) · 8435415017206 (125 ml)

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Le Beau

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Le Beau arrived in July 2019, as a 75 and 125 ml eau de toilette, alongside La Belle. The Barcelona-based group Puig presents the duo as the heirs of Le Male, from 1995, and Classique, from 1993, within Jean Paul Gaultier’s fragrance range.

The original man of the garden

The house’s tale has Le Beau born on the second day of a Genesis imagined by Jean Paul Gaultier, after the creation of an enchanting garden. There the couple experiences temptation and attraction, and Le Beau embodies a masculinity the house wants ultra-sensual.

Quentin Bisch and Sonia Constant

The two perfumers signed the couple together. For Le Beau, they chose three materials, bergamot, coconut wood and tonka bean, which the house brings together in a fresh and sensual fragrance meant for a seductive man.

A line of editions

Le Beau has given rise to several offshoots, among them Le Beau Le Parfum, Le Beau Paradise Garden, a limited edition, and, in 2025, Le Beau Flower Edition.

Olfactory pyramid

  1. Top notesThe first minutes
  2. Base notesWhat lingers

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The advertising

Chris Bunn in the Garden of Eden

Chris Bunn embodies Le Beau opposite Daphne Groeneveld, both naked in the Garden of Eden of the 2019 launch campaign.

To launch the duo in summer 2019, Jean Paul Gaultier turned his Genesis tale into images: the couple poses in a Garden of Eden, a setting of temptation that extends the house’s discourse on Le Beau and La Belle.

Model Chris Bunn lends his features to Le Beau, opposite Daphne Groeneveld for La Belle. The two models pose naked, in a deliberately provocative staging in the vein of Gaultier’s campaigns.