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Geoffrey Beene

Grey Flannel

Launched in 1975, Grey Flannel is Geoffrey Beene’s first men’s fragrance, composed by André Fromentin and named after the grey flannel the American designer loved. Victoria Frolova smells a lawn of violet leaves lifted by lemon, a violet heart softened by mimosa and geranium over mossy woods; the fragrance won a FiFi Award in 1976.

Launch year
1975
Perfumer
  • André Fromentin
Gender
Men
Olfactory family
Woody
Secondary family
Oriental
Concentration
Eau de Toilette
EAN
0719346021784 (120 ml) · 0719346021777 (240 ml)
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Grey Flannel

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Geoffrey Beene launched Grey Flannel in 1975, Wikipedia reports, among the licenses he was then signing for eyewear and bed linen. The fragrance won a FiFi Award in 1976, the year From Pyrgos considers its true arrival on department store shelves.

The designer’s flannel

The name comes from grey flannel, the designer’s signature material, which he used for his dresses as well as his menswear, Victoria Frolova and Christopher Stocks recall. The fragrance itself smells not of flannel but of violet, Stocks notes.

André Fromentin and the violet leaf

Christopher Stocks credits the composition to André Fromentin, an otherwise little-known perfumer, who paired the scent of violet leaf, reproduced synthetically in the early 20th century, with fresh materials such as galbanum and bergamot.

For Victoria Frolova, Grey Flannel derives from no model and has no copies; she sees in it the inspiration for Dior’s Fahrenheit, itself a major trendsetter, and a fragrance that has remained singular.

A history of licenses

From Pyrgos traces the successive hands of the license: Epocha, Beene’s in-house structure according to a former Sanofi Beauté executive, Jacqueline Cochran, Sanofi, French Fragrances, which became EA Fragrances, under Elizabeth Arden.

Olfactory pyramid

  1. Top notesThe first minutes
  2. Heart notesThe heart of the perfume
  3. Base notesWhat lingers

What critics say

Victoria Frolova (Bois de Jasmin) finds it fresh, as soft as a flannel shirt and without equal; Christopher Stocks (The Sniff Box) loves it, between sweetness and wood, despite reformulations.

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